Allthe power and tone of a Gibson Les Paul in a light-weight body with a fast-action, slim taper neck. Eye-catching looks and classic Gibson style. - Guitar Specification - More reviews on Gibson Les Paul - Vixen Guitar 1. Gibson 2. Musician's Friend 3. Epinions 4. zZounds 5. Sweetwater 6.

Epiphone has a long-established brand in their own right, but are best known as the affordable, Eastern-made offshoot of the mighty Gibson, with a substantial quantity of their models directly taken from their parent company’s range. A popular guitar amongst players making the transition from a beginner instrument, well-known Epi Les Paul players include Noel Gallagher in early Oasis, and Frank Iero from My Chemical RomanceNo more than Gibson, Epiphone has a large – probably larger than necessary – range of variants of the Les Paul. Here, in the interest of simplicity, we’ll take a look at the Standard model, to provide you with a baseline for the range. Core Features and Specs of the Epiphone Les PaulThe most core of core features of any Epiphone Les Paul, is the combination of a solid mahogany body with a maple top, and a couple of humbuckers. That is the heart and soul of its parts and the expense of explaining a little bit of semantics, pricier guitars with the mahogany body/maple top combination will have a carved maple top, maybe around an inch thick. On lower-priced instruments -such as this – the “maple top” is more likely to be closer to a fretboardFrets22PickupsAlnico Classic humbuckersSo far, so Les Paul!Image from FlickrThis will work well for
 If you’re looking at this guitar, you’re looking pretty much at rock, particularly blues-derived rock. Just think of the list of players associated with Les Paul! Clapton to Slash; Gorham and Robertson to Moore
 I could use up the entire word count reeling off Les Paul players!So yes, if that’s the ballpark you’re looking to be in, you’ve got it. Coupled with the right amp, with the right setting dialled in, you’ll get your crunchy rock and blues riffs, with enough room to widdle out licks and it do what it should?Let’s be realistic at this price, Gibson aren’t going to be letting Epiphone have the best quality, highest density mahogany. Still, the Epi weighs in at a tidy Not too shabby – you won’t forget it’s there or of the box, everything smells and shines like it should. On this Standard, everything is.. well
 pretty much standard!It’s got its humbuckers and three-way pickup selection, controlled with a volume knob and a tone knob for each of said humbuckers. The machineheads come courtesy of Grover – a well-respected name for the job.. Apart from that, the rest of the hardware is thing that pushes the price of this Les Paul compared to other guitars aimed at intermediate players, is the use of parallelograms for the fingerboard inlays, rather than plain old dots. This is something that requires a little extra craftsmanship, and, to be fair, they look the see how it all comes very rarely that an Epiphone is criticized for the quality of its heel of the neck sits flush and clean with body. It’s pretty much are no blemishes or dings in the finish, or along the binding, anywhere in the review model. The frets are even and perfectly embedded in the rosewood fingerboard, as are the parallelogram inlays. The fingerboard doesn’t seem “as finished” as higher end models, if that makes sense?The hardware and electronics all seem very solidly attached – all sitting flush with the body, and some firm poking doesn’t make anything move that shouldn’t. The Grover machineheads are sitting even and sturdy, looking confidently ready to do their model features tune o matic bridge, which Epiphone proudly declare allows adjustment without the need for tools, but honestly, I don’t know many guitarists who spend much time tinkering with such the price of this electric guitar, there’s actually very little to fault. Sure, the parts used won’t be of the same quality as more expensive models, but, if they were, well, it would be a more expensive model!Les Paul Sound and TonesThe price tag of this instrument is a bit more than a beginners’ guitar, so it’s aimed at buyers who are prepared to go a little more for an amp to do it justice. In that respect, it’s likely that they’d also go a few dollars more for something a little better than a solid state amp, although probably not enough to go for a full valve the likely player of this guitar in mind, the Standard was tested through a 50 watt, hybrid, 2×12 combo before plugging into the amp, a few test strums gave an indication of the thick tones that might be coming – if you don’t believe that you can hear guitars’ varying tones without plugging in, I absolutely invite you to give it a this review, the bass was set to four, with the middle and treble each set to the Standard through a clean channel, that bridge humbucker gives a nice bright, but not piercing tone. If you nudge the pickup selector to the middle or neck position, and crank out a few blues licks, you’ll find yourself in a very comfortable on your amp, if you want to push it a little bit, cranking the volume on the amp, until it breaks just slightly, you should start to hear the beginnings of a nice, Clapton-esque blues crunch. Sweet. You might need to roll the volume off your guitar to balance it on that theme, moving over to the overdrive channel, with a gain of about four dialed in, and getting the volume of the guitar back up, you won’t be quite out of blues territory, but some good rock tones will definitely be in the that gain up to six, and your squarely in classic, blues-based rock, and this is where the functionality of the Les Paul peaks. As a general guide neck pickup for ballsy riffs, both pickups for a steady middle ground rhythm, and down to the bridge pickup should a solo be from FlickrPlayabilityThe aesthetics and construction of this guitar are enough to inspire any beginner to start looking at fingerboard is comfortable, the tones are a perfect introduction to humbuckers, and you’ll look as cool as Slash. Any compromise on the quality of parts, hasn’t compromised the construction, and in turn the players can be picky about parts, and how it’s just not a good old American-made Gibson, but honestly, if you want to look and feel like a rock star, Epiphone’s Les Paul Standard will do the such sturdy construction, an intermediate player won’t be afraid to get stuck in, and play this guitar to within an inch of its life. It’s ideal for providing a basis in understanding guitars equipped with humbuckers, and getting a feel for Great overall instrument for the price● High-quality parts● Nothing to fault on construction● Ideal first guitar for those inspired to play by blues-based rock guitarists● There are cheaper alternatives that may do the job just as wellAlternativesThe Les Paul shape is probably one of the most inspirational read copied guitar body shapes in history, so alternatives are not difficult to round NAMM 2017, Epiphone’s parent company, Gibson, unveiled its S Series, intended to give musicians an affordable route to the revered Gibson family of guitars. It’s something they do every now and Paul Custom Special Studio 2017 Gibson S Series Les Paul M2 Bright Cherry Electric Reverb This was designed around Gibson's standards of quality and innovation for Gibson USA's new S Series. The Gibson S Series is a whole new range of guitars all made in the US, but at a considerably lower price point than ever before. Check price We may receive compensation from the companies whose products we review. We only recommend products that we believe in and the S Series, comes the Les Paul Custom Special Studio, with the same MSRP as the Epiphone Les Paul Standard. Ultimately, it comes down to whether you want a cheap Gibson, or an expensive Epiphone. In terms of build quality, they really are neck and neck, if you’ll pardon the is a no-frills affair, with the embellishment really just the range and brightness of the finishes. It’s very much the quintessential “slab of mahogany with a couple of humbuckers wedged in.” Check out our full custom vs standard Les Paul SE 245 You can’t really write about alternatives to Les Paul models without including a singlecut PRS model, because of that time Gibson sued them over the similarities. The SE range is their affordable option, and the 245 borrows the Epiphone’s slab of mahogany with a maple veneer, albeit with a gorgeous 245 also comes with PRS’s inimitable birds inlays. The lower horn includes some contouring to allow for more comfortable access to the higher frets. Apart from the stylistic differences mentioned, the electronics has an identical approach to the Gibson and Epiphone Les Paul LTD EC-401 ESP LTD EC-401 Electric Guitar Guitar Center Look no further with this as it features versatile, powerful tones, reliable hardware, and tidy, attractive looks. Plus consistent high rating from the people who've purchased this. Check price Buy at We may receive compensation from the companies whose products we review. We only recommend products that we believe in and something a little different, but in the same vein – perhaps leaning a bit more towards metal – the longstanding and very respectable ESP have the EC-401 Eclipse model from their LTD one is probably closer to the Gibson, in that the body is a slab of mahogany. What might lean it towards metal brothers and sisters are the inclusion of EMG active pickups. It has binding around the body and mahogany neck, its hardware is black, and the inlays on the fingerboard are reminiscent of a waving Final NoteThe Epiphone Les Paul Standard is such a go-to guitar for those looking to make the transition from “learner” to “player,” at least just to look at and a guitarist is experienced enough to be considering it, they’ll be experienced enough to that you get what you pay for. No, this won’t have the finery of a Gibson Les Paul but that’s not why these guitars are made. Question Is the Epiphone Les Paul Standard Plustop Pro different than the Gibson Les Paul?Answer Yes, of course. The Epiphone is owned by Gibson, so the guitars are virtually the same same mahogany body, solid maple top, mahogany neck, and rosewood frets, however, they are manufactured in a different place. The Epiphone is manufactured mostly in China and Indonesia, whereas the Gibson is manufactured in Korea and the Does the Epiphone Les Paul come with a professional setup?Answer This depends on the place of purchase. Some stores including online ratailers sell already setup guitars, but it doesn’t necessarily mean that you will get one ready to Does the Epiphone Les Paul Standard Plustop Pro come with any additional details?Answer No. If you buy it from a music store you might be able to make a deal with the seller to get an extra accessory for the guitar, otherwise, it does not come with a case or picks. Epiphone Top Picks Epiphone 1960 Tribute Black Cherry Reverb You'll never regret buying this used Epiphone 1960 Tribute Plus in its original cherry sunburst finish, in excellent condition from Reverb. An owner of this guitar rated this as "the best sounding and playing guitar Epiphone has made." Check price We may receive compensation from the companies whose products we review. We only recommend products that we believe in and test. Epiphone G-310 SG Ebony Reverb The Epiphone G-310 solid-body electric guitar gives you all the style and sound of the venerable SG at a down-to-earth tip If an item is currently not available on Reverb, you can select 'Follow this product' to be notified of any new listings. Check price Buy at We may receive compensation from the companies whose products we review. We only recommend products that we believe in and ReadsEpiphone LP Special II Review You’ll LoveEpiphone Les Paul Electric vs Squier Stratocaster Comp [2022]The Full, Epic Epiphone Les Paul Standard ReviewHumbucker Pickups vs Single Coil Which is Best for You?How to find the Best Electric GuitarAboutLatest Posts The Guitar Space team is a crew of dedicated players. Led by Ed Lozano, working musician, teacher, and author for over four decades. Ed is joined by other bonafide classic players, bringing real-life guitar-playing testers, buyers, and writers to the crew. We'll tell you what you really need, what we'd buy & give you real-deal advice from decades of playing.

BestPremium PRS Guitar - Paul Reed Smith Custom 24. Best Affordable PRS Guitar- PRS SE Standard 24. Best Single-Cut PRS Guitar - PRS SE 245. Best Baritone PRS Guitar - PRS SE 277. Best Strat Style PRS Guitar - PRS Silver Sky. Best PRS Acoustic Guitar - PRS SE Angelus A50E.

For those who are interested I believe Ricochet posted this list for us back in June B BohĂȘmia Musico-Delicia Czech Republic BW ? China DW DaeWon China EA QingDao China EE QingDao China F/_ Fujigen Japan FN/N Fine Guitars Korea I Saein Korea J/T Terada Japan K Korea Ins. Korea L ? Korea MC Muse China N->see FN O Choice Korea P/R Peerless Korea S Samick Korea SI Samick Indonesia SJ SaeJun China SM Samil Korea SN ? Indonesia U Unsung Korea UC Unsung China China Z Zaozhuang Saehan China I don't think anyone has put it up lately for the newer members.
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If you’re wondering whether getting the Gibson Les Paul Custom is a good idea or not, don’t worry – you’ve come to the right place! In today’s in-depth review, I’m going to take a very close look on that popular high-end model. It’s quite expensive, but is it actually that good?The answer is YES! Gibson Les Paul Custom offers a truly exceptional quality. It definitely looks, feels and sounds like an axe from the highest shelf. Surely, all guitarists will be extremely happy after adding it to their own guitar dive deeper with research to find out what exactly makes the LP Custom so good and so popular. Firstly, we’ll start with a quick overview of the specifications of that model. Additionally, we’ll compare it with a few other Gibson and Epiphone guitars and we’ll have a look at the biggest pros and cons of that – Specs & PricingGibson Les Paul Custom is a high-end electric guitar designed for the most demanding guitarists out there. In fact, this is one of the most popular premium models manufactured by this brand!What makes it so cool? Well, the guitar features a solid mahogany body with a maple top. It also has a comfortable mahogany neck with an easy-playing ebony fretboard. This is a big advantage of that model, because it allows you to practice and shred for several hours without getting decided to equip this model with a pair of superb pickups 498T and 490R humbuckers. They sound absolutely amazing and they’re really versatile. No matter whether you’re into jazz, rock or metal, you can be sure the responsiveness of these pickups won’t let you is also worth mentioning that Gibson Les Paul Custom looks absolutely amazing too. It’s clearly visible that this is an expensive, high-end guitar. On top of that, this axe has a wonderful nitrocellulose lacquer finish which enhances the tonal qualities of that it comes to pricing, let’s be honest – it’s a really expensive guitar. It’s significantly more expensive than other popular models made by Gibson such as Gibson LP Tribute, Standard ’50s or Standard ’60s. However, in my opinion it’s not overpriced at all. The best gear in the world is never cheap!Here’s a quick sound demo – feel free to check it out The PickupsAs you’re already aware, Gibson Les Paul Custom has a pair of two amazing pickups498T humbucker bridge490R humbucker neckBoth of them are equally awesome, but there’s a few things that differentiate them. The 490R humbucker sounds really close to the original PAF, so it has a subtle upper-mid bump which results with an extraordinary clarity and definition. It’s fantastic for all rhythm guitar the same time, the 498T humbucker puts more emphasis on the mids and highs, so it’s an ideal choice for crunchy riffs and screaming solo leads. The sustain of that pickup is out of this world, so it’s a perfect choice for heavier styles of The HardwareThe manufacturer equipped the Gibson Les Paul Custom with the Tune-o-matic bridge with a stopbar tailpiece and Grover Kidney tuners which guarantee a really good tuning stability. This is really important, especially when you’re often performing course, there’s also a classic 3-way toggle pickup switch along with two volume and two tone & ConsJust like any other electric guitar available on the market, Gibson Les Paul Custom has its own advantages and disadvantages. That’s totally normal! However, it seems pretty clear that the cons of that axe are really subjective, because it’s pretty much a flawless BeautifulSounds FantasticFeels GreatHardshell Case IncludedPerfect For ProfessionalsHigh PriceAs you can see, there are a lot of things that can be considered as major advantages of that guitar. Gibson Les Paul Custom looks, sounds and feels like a real piece of art. It exceeds all the expectations and it’s perfect for professional guitarists. Additionally, it comes with a top quality hardshell case. Who needs anything else?The main disadvantage of this Gibson guitar is the undeniably high price. This is probably the biggest obstacle that you may face if you’re thinking about adding it to your own collection. Surely, not many guitarists will be able to get it straight away without having to save up for a long even though it’s an expensive guitar, it’s totally worth it. I’m sure that anyone who’s searching for a high-end axe will be really satisfied after choosing the LP Custom. It’s a dream guitar!Here’s an another Is It For?Gibson Les Paul Custom is suitable for guitarists of all levels. You don’t have to be an experienced player to notice the uniqueness and the exceptionally high quality of that since it’s a really expensive guitar, it’s mainly recommended for intermediate and professional is a fantastic instrument to record and gig with. If you’re searching for a new guitar to record your next album with, Gibson Les Paul Custom is a safe bet. It cuts through the mix perfectly!Of course, just like any other classic Les Paul model, this is a fantastic axe for rock and metal genres. Whether you’re a rhythm or lead guitar player, you will definitely enjoy the versatility of these 490R and 498T I’m positive that the vast majority of guitarists will really enjoy playing on that high-end model. There’s just nothing to complain about apart from the high price. It’s a flawless axe which is a true piece of art!Gibson Les Paul Custom vs Epiphone Les Paul CustomAs you’re already aware, Gibson Les Paul Custom is not a cheap guitar, so not everyone can actually afford it. That’s why a lot of guitar players decide to choose a much more expensive Epiphone Les Paul Custom. But can it actually compete with that high-end Gibson?The truth is that Gibson Les Paul Custom is a better guitar, but it doesn’t mean that the Epiphone model is bad. In fact, Epiphone Les Paul Custom offers a surprisingly good value for the price difference between these two guitars is clearly visible. The LP by Epiphone is not premium, but it still offers a really good quality for the money. If you would put the same pickups 490R and 498T into this model, it would sound very close to the Gibson LP you can see, it all depends on the size of your budget. If you don’t want to spend too much on a new guitar, choosing the Epiphone will be a really good idea. But if you’re searching for a guitar from the highest shelf, you should definitely try the Custom axe by a really good video that compares the tone of Gibson and Epiphone Les Paul Custom models – feel free to check it out Les Paul Custom vs StandardIf you’re not satisfied with getting a guitar made by Epiphone, the chances are that you want an axe with a Gibson logo on the headstock. However, the LP Custom is not the only one good model made by brand – quite often, guitarists choose the LP truth is that it’s really difficult to clearly determine which one of these models is better, because they sound a bit differently. In my opinion, the LP Custom has a bit warmer and deeper LP Standard is also cheaper, so if you’re not okay with spending such a huge amount of money on getting a Custom model, it will be a good fit for the difference between Gibson and Epiphone Les Pauls was clearly visible, the difference between the Standard and Custom models isn’t that obvious. It all comes down to your own personal a great video that compares the tone of Gibson Les Paul Custom and Gibson Les Paul Standard – feel free to check it out Alternatives?If you’re not satisfied with the overall quality of Gibson Les Paul Custom and you have a feeling that it won’t be a good fit for you, that’s not a problem! There’s still a lot of fantastic electric guitars out there that also deserve a lot of course, choosing a brand new axe will depend on your own preferences and most importantly, on the size of your budget. Still, here’s a few other models that you may also Option 1 – Gibson Flying VGibson Flying V is an another fantastic high-end electric guitar suitable for rock and metal music. It looks completely different than the Gibson Les Paul, but it’s still absolutely guitar features a lightweight mahogany body, a SlimTaper mahogany neck and easy-playing rosewood fingerboard. Gibson also equipped this model with a pair of great sounding Burstbucker humbuckers. Surely, all lovers of heavier music genres will be in love with their important, the Flying V is significantly more affordable than Gibson Les Paul Custom. It’s not a cheap guitar, but it will be definitely much easier to save up to get that particular not everyone likes that kind of body shape, it’s definitely one of the most legendary guitars of all time. I have no hesitation in recommending the Flying V to all guitarists who are searching for a high-end axe suitable for rock and Option 2 – ESP LTD EC-401ESP LTD EC-401 is an another really good electric guitar designed for the most demanding guitarists out there. This is a mid-level axe, so it’s not a high-end model. But at the same time, it’s far more affordable than Gibson LP manufacturer equipped that model with a pair of really good EMG pickups – EMG 60 & EMG 81. These humbuckers are perfect for fat, crunchy riffs and fast, melodic solos. If you’re into shredding, this guitar will be a perfect fit for is it for? Well, I’m sure that any enthusiast of rock and metal music will be really happy after adding this guitar to their own collection. It has everything you need – a great tone, a stunning look and a very comfortable feel. On top of that, it’s not that expensive. Who needs anything else?Alternative Option 3 – Epiphone Les Paul VEEpiphone Les Paul Special VE is one of the cheapest Les Paul guitars that you can currently find on the market. Of course, it can’t really compete with Gibson Les Paul Custom, but it’s still a really good choice for someone with a very low you don’t want to spend too much on a new gear or if you’re an absolute amateur, this guitar will be an excellent fit for you. I had the pleasure to test it out on my own and I was particularly impressed by the comfortable neck of that axe. It has a satin finish which significantly enhances the overall humbuckers used in that model are pretty basic, but they do the job very well. Surely, if you’re just starting out, this guitar will be more than enough for you. That’s why I highly recommend checking it out!FAQWhere are Gibson Custom guitars made?Gibson Custom guitars are manufactured in the United is the scale length of that guitar?The scale length of that guitar has can I find out more about Gibson guitars?If you want to learn more about the guitars made by this legendary manufacturer, make sure to visit the official website of you can see, Gibson Les Paul Custom is an absolutely amazing high-end electric guitar. I have no hesitation in recommending this model to all guitarists who are looking for a premium axe suitable for live performances and studio sessions. There’s an extremely high chance that it will be your favorite do you think of that model? Do you think that high-end Gibson are overrated? Leave a comment down below and let me know what you think, I’m really interested to hear your thoughts about it!Thanks for checking out today’s review, hopefully it was helpful and you found what you were looking for. If you enjoyed this article and you’re searching for more gear recommendations, you may also like10 Best Gibson Acoustic Guitars [2022 GUIDE]Gibson Les Paul Standard ’50s – Is It Worth It? [REVIEW]Gibson Les Paul Tribute – Is It Good? [REVIEW]
The2019 Les Paul Standard '50s & Les Paul Tribute are proof that with its Original and Modern ranges, Gibson is serious about its heritage and future. Review: Gibson 2019 Les Paul Standard '50s & Les Paul Tribute. From the Original and Modern Collections comes a pair of new production Les Pauls that might just prove less is more. By. Home Features Total Guitar Image credit Future / Will Ireland After Gibson emerged from its financial travails with a change of ownership, the company hit the reset button. Quite literally, Gibson was restored to factory settings. Large sums were invested in quality collection was simplified. The brief was simple, too put pro-quality, aspirational electric guitars into the hands of players who have always idealised the brand. One of the most significant changes to Gibson’s lineup is the split in the production line range between the Original Collection and the Modern SG Special in Faded Pelham Blue is from the Original Collection; the Les Paul Tribute and the Les Paul Special Tribute with dual humbuckers and dual P-90 options are from the Modern Series. Retailing for under a grand, the Tribute models potentially represent the best of both worlds – an American-built Gibson that won’t break the bank. The spec options look neat, too. The big news with the SG Special is that finish, yet under the hood there are 500k audio taper CTS pots and hand-soldered Orange Drop capacitors. The Tribute models pare back the spec a little but they still offer plenty of guitar. Hmm, choosing between these is gonna be SG SpecialImage credit Future / Will IrelandThat finish is amazing...It is. It is Faded Pelham Blue, and it dates back to the early 60s when Fender was taking inspiration from classic automobiles and rolling out a host of cool solid-block colours, and Gibson wanted in on the action. Introduced on the budget Gibson Melody Maker line of SGs, it’s now a cult favourite, championed by the likes of John Shanks and Dave A GlancePRICE $1,499 / £1,199 BODY Mahogany NECK Mahogany, set SCALE FINGERBOARD Rosewood FRETS 22, medium jumbo PICKUPS 2x P-90 CONTROLS 2x volume, 2x tone, 3-way selector switch HARDWARE Chrome, Compensated Wraparound FINISH Faded Pelham Blue [reviewed], Metallic BurgundyYou mentioned 500k CTS audio taper pots. Why is this good?One of the coolest feature of any guitar – and one that is still criminally under-explored by so many of us – is how tweaking your tone and volume controls can unearth all those extra magical tones. With inferior pots, you are lucky if there are two usable tones. Here you’ll find new tones on 1 through to 10 on the the difference between this and an SG Junior?So you noticed the white button tuners and dot inlay – that’s the same, but the Special has two P-90s and a binding on the neck. Yeah, sure, it’s stripped down – kinda – but there is some luxury Les Paul Special with humbuckersImage credit Future / Will IrelandWhat’s the difference between this and the Les Paul Tribute?Here, there is no maple cap. This saves the maple for the neck, which is glued to a solid mahogany body. Both have a satin finish in a nitrocellulose lacquer that on this review model still feels a little oily, and this will settle down as you rub the new’ off A GlancePRICE $999 / £899 BODY Mahogany NECK Maple, set SCALE FINGERBOARD Rosewood with acrylic dot inlay FRETS 22, medium jumbo PICKUPS 490T humbucker bridge, 490R humbucker neck HARDWARE Chrome, Compensated Wraparound FINISH Natural Walnut [reviewed], Worn White Satin, Ebony Satin, Vintage Cherry SatinWe’ve seen those pickups before, right?These open-coil Gibson 490 humbuckers have been kicking around since the mid-to-late 60s. They feature an Alnico II magnet and were wound to create a more versatile PAF ’bucker that could work better with high-volume amps and new rock styles, and were often wired so they could be coil-tapped. They have a soupçon more upper-mids than the maple neck? That’s a bit always associate Gibson guitars with mahogany necks but through the 70s it was not uncommon to see maple necks as standard. Besides, it’s nice to see some variation on the Les Paul Special Tribute with P-90sImage credit Future / Will IrelandThis is the same guitar, but with P-90s. Does that make much difference?Massive. Where the 490 humbuckers offer you enough rounded PAF cream to cause an arterial block, the P-90s are a more about being all sharp and vinegarish top-end and a pugnacious mid-range. You’ll get a lot of joy from blending these together and playing around on the tone controls. There’s a lot of tone they be noisy?They might not be as quiet as humbuckers but they are wax-potted to kill microphonic hum, which is the worst. Don’t be put off by the fact they are single-coils; these are totally mean. If you are looking for a rock ’n’ roll machine...At A GlancePRICE $999 / £899 BODY Mahogany NECK Maple, set SCALE FINGERBOARD Rosewood with acrylic dot inlay FRETS 22, medium jumbo PICKUPS 2x P-90 HARDWARE Chrome, Compensated Wraparound FINISHES Worn White Satin [reviewed], Ebony Satin, Vintage Cherry Satin, Natural WalnutSo this is just a rock guitar?It could be. The P-90 and mahogany slab body combo is a classic pairing; it’s cheese and burger, a tone combo that the likes of Leslie West would wield judiciously. But here’s the thing P-90s clean up beautifully. Roll back some of that back pickup’s top end and the cleans are worthy of a chef’s kiss before getting down to some Les Paul TributeImage credit Future / Will IrelandA Les Paul, made in the USA, and you’ll get change from a grand?Yes, there’s no catch. You might even find these discounted online. The Les Paul Tribute is kind of somewhere between a Standard, a Classic and a Studio. Like the Studio, there’s no binding on the neck. Like the Classic, this has 490 humbuckers and it has extensive chambering to make it lighter. And you’ve got the chrome-covers on the pickups to give it that Standard vibe. It’s A GlancePRICE $1,199 / £999 BODY Mahogany w/maple top NECK Maple SCALE FINGERBOARD Rosewood w/trapezoid inlay FRETS 22, medium jumbo PICKUPS 2x Gibson 490 Humbuckers HARDWARE Aluminium Nashville Tune-O-Matic LEFT-HANDED Yes FINISH Satin Tobacco Burst [reviewed], Satin Honeyburst, Satin Iced Tea, Satin Cherry Burst CONTACT GibsonTell us more about the weight relief...Gibson’s Ultra-Modern weight relief process is an evolution of its nine-hole and chambering patterns that have been used on guitars such as the Les Paul classic. It features a number of chambers around the body’s perimeter. If you’re playing live a lot you’ll appreciate else is new?The satin finish is something we haven’t really seen before and it might take a bit of getting used to. Some will love it. It’s tactile and more subdued than the high-gloss. The body isn’t bound but the maple top gives a similar to headAcross the board, the Tribute Les Pauls have rounded, C-profile maple necks that feel like a fair compromise between the thicker 50s profiles, those bats you’d get on vintage Explorers, and the slim-tapered necks of the 60s would have liked a little more meat on the bones, but that is the thing with neck profiles, preferences differ, and they change over time, sometimes within hours. And these Tribute Les Pauls, dammit, sure offer a comfortable from the LP to SG always requires some adjusting to the fretboard geography; the scale length is the same but there just feels like there is so much neck on the SG as it joins the body at 22nd fret. The SG feels slick and speedy, with a nice taper going on with the neck. It’s super-easy to get up the dusty end of the the Les Paul Tributes feel ostensibly the same, albeit with less bulk around the body on the Specials, plugged in there is enough variance to give you pause for SG feels slick and speedy, with a nice taper going on with the neck. It’s super-easy to get up the dusty end of the fretboardThe LP Special with humbuckers has a real gutsy tone. There is plenty of midrange to chew through rock riffs, and the 490 humbuckers have a Pavlovian response to more gain, letting you easily find that singing sweet spot for your solos, and crunch for digging in. On the Les Paul Tribute, there’s a little more high-end, more noticeable in the bridge ’bucker, but there is so much play on the Les Paul’s controls that finding the right blend is easy. The P-90 equipped LP Special has more high-end still but it is tempered by the hot-mids these soapbars are renowned for. They are deceivingly versatile. For a stripped-down singlecut experience, it is hard to beat. But for a few dollars more, the more refined experience of the SG might be more your speed. It too can perform as a rock machine, with similarly hidden depths there, and an all-time classic verdictImage credit FutureGibson’s idea of splitting its collection into the Modern and Original makes sense. It keeps the purists happy while giving the company room to evolve. One sign that it is working is that on first impressions it was only the fact that the SG Special arrived in a Gibson hard case that distinguished it from the others, which arrived in padded gig-bags. Any gap in quality is incremental. All the guitars here are immaculately finished. The question is which serves your needs the most? Those looking for a more stately Les Paul experience should plump for the Tribute. The 490 humbuckers are so underrated, and tone-wise this has the most Standard’, most stereotypically Les Paul tone here. We are left with two guitars that support the hypothesis that says the P-90 soapbar is pound-for-pound the best pickup everBut then there’s the brawny cool of the humbucker-equipped Special. With its five-ply guard and white button tuners, the no-fuss dot inlay, it’s a gnarly slap of mahogany that’s ideal for rock, blues, maybe even metal, too, and the walnut finish is just darn so, we are left with two guitars that support the hypothesis that says the P-90 soapbar is pound-for-pound the best pickup ever. Either way, they make the LP and SG Specials so persuasive, running the gamut from blues-rock nirvana to smoky bar will go for the singlecut, the weight, the extra oomph of sustain, but the SG Special in Faded Pelham Blue is just the sort of get-it-while-it’s-hot guitar that will age beautifully, and will reward you with a supremely playable instrument and, possibly, a future classic. Thank you for reading 5 articles this month*Join now for unlimited accessUS pricing $ per month or $ per yearUK pricing £ per month or £ per year Europe pricing € per month or € per year *Read 5 free articles per month without a subscription Join now for unlimited accessPrices from £ All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox! Jonathan Horsley has been writing about guitars since 2005, playing them since 1990, and regularly contributes to publications including Guitar World, MusicRadar and Total Guitar. He uses Jazz III nylon picks, 10s during the week, 9s at the weekend, and shamefully still struggles with rhythm figure one of Van Halen’s Panama. Most Popular
GibsonLes Paul, apart from its striking looks, also boasts a warm, full sound that has tons of sustain, making it ideal for anything from jazz and blues to heavier music genres, such as hard rock and heavy metal. It's also made exclusively in the USA, which ensured the use of premium materials and superior build quality.
In 1983, Gibson released the very first Gibson Les Paul Studio, a guitar designed to deliver all the tonal benefits and playability of a Les Paul Standard, but without the embellishments. This enabled them to keep the cost down and provide a more affordable guitar for players who wanted that thick LP sound, without the hefty price tag. Even though there are dozens of versions of this iconic guitar, in our roundup of the best Les Paul Style guitars, we actually named the Gibson Les Paul Studio our Editor’s Choice. In this KillerGuitarRigs Review we’ll be going into depth on the LP Studio to explain to you exactly why we thought this particular model was worthy of our highest honors. If you’ve been in the market for a Les Paul style guitar, you won’t want to miss this! ContentsGibson Les Paul Studio Who Is This For? Appearance / Features / ControlsPerformance / SoundOther Guitars to ConsiderESP LTD Gary Holt GH-600Gibson Les Paul SpecialFinal Thoughts on the Gibson Les Paul Studio The Gibson Les Paul Studio is an absolute workhorse of a guitar that we think is best suited to intermediate and advanced players who are looking for a high-quality instrument that can handle a wide range of tones and playing styles. It comes from the factory with stage and studio ready tones and playability, so whether you’re into metal, rock, country, blues, or jazz, the LP studio can do it all. Appearance / Features / Controls Mark Agnesi Talks About The Les Paul Studio The LP Studio comes in a good range of finishes, and considering that this is supposed to be one of their lower tier models, we think they come in some of the nicest colors in the whole range. Our test guitar came to us in Smokehouse Burst, which really looked great, but it’s also available in Ebony, Heritage Cherry Sunburst, Wine Red, and a Sweetwater Exclusive Bourbon Burst. As with all Gibsons, it was made in the USA, and came with a nitro finish. This will age naturally unlike the polyurethane finish you’d find on the Epiphone equivalents. This will eventually result in that sought after checked “relic” appearance. The Studio has the traditional mahogany body topped with a carved maple cap. It wasn’t figured like you’d find on a Standard, but the wood grain still looked fantastic, and with the Smokehouse Burst finish, actually looked almost like it had a burled top. Weight wise, it came in at just a little over 8lb, which is about average for a modern Les Paul. It had a mahogany SlimTaper 60s neck, a gorgeous rosewood fretboard, and the frets themselves had been treated to a PLEK dressing. We hadn’t originally anticipated that the studio would have PLEKd frets, so this was definitely a pleasant surprise. Of course, as a Studio, there was no binding anywhere on the guitar, which meant no nibbing on the frets. Fortunately the PLEK treatment resulted in such a great finish, we didn’t miss having nibbed frets. For electronics, it came with a pair of PAF style pickups, with a 490R in the Neck, and a 498T in the bridge. This is a tried and tested combo, and was perfectly suited to the Studio. For an even greater range of tones, the pickups were coil tapped, too. Not to be confused with coil splitting humbuckers, coil tapping pickups like these can be set to use either the full pickup magnet, or just part of it. This reduces the number of windings available, giving a lower output, and a more vintage tone. The hardware was of the typical high quality, including a Tune-O-Matic bridge and Grover Rotomatic Tuners. Besides that, it came with a nice vegan leather hybrid gig bag for storage and transport. Performance / Sound Gibson Les Paul Studio - Top 5 Reasons to Buy over Epiphone As mentioned, we thought very highly of the Les Paul Studio. The overall feel was fantastic, and it was very much a pro level workhorse right out of the box. Weight wasn’t an issue, thanks to the modern weight relieved body – this solved one of the biggest complaints about Les Pauls in general, and added significantly to the overall playing comfort. The out of the box setup was excellent, with a phenomenal low action. We found no fret buzz, and nor was there any kind of choke out. We barely needed any pressure to fret a note, which made it incredibly easy playing. We loved the pickups – The 490R pickup in the neck position, had a warm and smooth tone with a slightly lower output than the 498T pickup in the bridge position. The 498T had a brighter tone with much more bite, and was perfect for lead lines. Having coil tapping opened up some great tones that we’ve not found in other Les Paul models. When activated, it gave us some amazing vintage warmth – perfect for classic blues. Not quite original PAF, but certainly along those lines. Other Guitars to Consider We highly recommend the Gibson Les Paul Studio, but given how much of an investment it is, we do understand how important it can be to weigh up all your options first. For that reason, we’ve highlighted a couple of our favorite alternative options below ESP LTD Gary Holt GH-600 The ESP LTD Gary Holt GH-600 is a great choice for players who want the Les Paul look with an aggressive edge. It features an all-mahogany body for a thick and resonant tone, and a thin U-shaped neck profile for extreme speed. Its dual EMG active pickups give this Gary Moore Signature model an extremely high output, which results in amazing clarity, even with the gain at 11, and the Floyd Rose trem system delivers huge divebomb abilities while maintaining incredible tuning stability. Gibson Les Paul Special The Gibson Les Paul Special is an excellent alternative to the Studio. It still has the Les Paul mojo, but offers a completely different tone thanks to the mahogany slab body and twin P90 pickups. It’s a real punk weapon with its signature overdriven growl, but at the same time, it can also serve up some gorgeous sparkling cleans, too. It may have been one of Gibson’s student grade models originally, but today it’s a premium guitar with PLEKd frets, period correct hand wired electronics, and even Orange Drop capacitors for more consistent tone. Final Thoughts on the Gibson Les Paul Studio The Gibson Les Paul Studio really is an icon in the world of guitars. For decades, it’s been an affordable entry point into the Gibson Les Paul ecosystem, while still providing the classic LP tone that has truly helped to shape music as we know it today. Especially if trim and embellishments aren’t a big deal for you, you could save upwards of $1000 by opting for the Studio, and still get the same end result. We absolutely love this guitar, and we’re confident that you will, too.
Yupthere are Epiphone made in Indonesia too and they are completely authentic and of similar quality (considered as a better quality than the ones made in China {EE}) as rest of the Epiphones. there are always lemons when there's mass Production but most them are of a good quality. I once owed an Indonesian LP-100 and it was really good.

MusicRadar Verdict A heavyweight LP with a raft of usable tones. Pros +Good build with unshowy plain maple top.+Pickups have a little more kick, plus we get expanded sounds.+Good price. Cons -Over-heavy weight despite the weight relief.-Not everyone likes PCBs and push-fit connectors. MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test. While Fender splits its guitars into series and periodically updates or refreshes them, Gibson’s main USA production division prefers the annual makeover approach. This year’s line-up was seen by many dealers as a return to form “A new chapter in Gibson’s illustrious history, with their focus firmly back on crafting only the world’s finest guitars!” said one. As ever, the Les Paul sits central, with eight models if we count The Paul 40th Anniversary bookended by the start-up double-cut Les Paul Junior Tribute and topped off with the Les Paul High Performance. Add to the list the Les Paul Studio and Studio Tribute, and that leaves us with the three most classic Les Pauls, the Standard, Traditional and Classic. Today we’re looking at the Classic is a catch-all name and for 2019 swaps its 2018-spec dual P-90s for ’61 Zebras and adds the circuit board previously used on the Standard, along with Traditional aka nine-hole weight relief. At £900 cheaper than the Standard, the 2019 Classic is essentially a stripped-down Les Paul before you drop to the Studios and is offered in Honeyburst as here or Gold Top - it was originally also offered in Ebony and Heritage Cherry Sunburst. Outwardly, all three of the 2019 models share the same construction one-piece neck, headstock widening wings and two-piece centre-joined backs. The Classic features a A-less plain top’ and ’61 Zebra open coil Classic name has been applied to various-spec LPs since it appeared back in 1990, then in a highly vintage spec. Today’s more cost-effective dress, with its plain maple top, evokes a more 70s Deluxe style, enhanced by the metal-topped knobs. Unfortunately, that perception is reinforced by its weight, which makes it the porker here despite its Traditional Weight Relief at a whooping Grover Rotomatics reference one of the most common LP mods and we get a no-wire ABR-1 tune-o-matic. Likewise, the ’board appears very dry and with such low-profile frets you do really feel the ’board’s surface more than you would with a higher wire. String height is identical to the others and neck relief sits between the two. SoundsThe Classic has an initial response that all points to a strong plugged-in performance. The Classic’s neck feels very similar to the recently-reviewed Standard, despite the differences, but the weight has a big impact, particularly on the hugely unbalanced feel played seated. Of course, if that doesn’t bother you, you might be on to a winner here as it’s a great player as supplied. Like any classic design, what you hear coming out of your amp might not be your idea of a great Les Paul tone, yet playing these three we’re hearing wonderful and subtly different flavours. It might well be that the Classic has the bite and power you like with more lower-end grunt than the others. There’s a little more nasally P-90 flavour, a slightly cocked-wah voice that provides a grainy texture, especially with some crunch and Marshall-y gain. Running the Classic with both pickups in tap mode is quite something; experiment with the phase switch with both pickups on to hear it. If only the damn thing wasn’t so heavy... The rather dowdy-looking Classic’s fundamental flaw is its colossal weight in a different colour and with a lighter weight it might be game on, but that’s not what’s here. Plugged in, is where the Classic drops in heft and grunt aplenty but with enough clarity to access older snappier and soulful voices. It will no doubt be a while until new Gibson’ settles in and has a noticeable effect on the instruments we can buy. These interim models, however, are three strong dishes that employ existing features we’ve seen before, albeit not in quite the same the horrors of robotic’ tuners, over-wide necks and zero frets now pretty much consigned to the past, these three zone in on the Les Paul in classic style Traditional, sonically expanded Standard and affordable Classic shades. They need a little TLC, which we’d hope would be undertaken before they’re sold, but they’re tidy, not over-priced and have the right name on the headstock. They might well be quite historic models, too the end of an era. Just as we conclude our test at the start of 2019, the new Gibson management announced there will apparently be a completely new 2019 range of Classics’.“Designs like the Les Paul and the SG once again embrace the features and construction details that made them legends in the first place a Les Paul Standard ’50s spec and a Les Paul Standard ’60s spec as well as one with P-90 pickups,” says Cesar Gueikian, Gibson’s chief merchant officer. “The Contemporary line also introduces a new concept with the Les Paul and SG Modern.” These new ranges “will be available for purchase later this year”. What that means for these original and clearly short-lived 2019 models that are in-store is anyone’s guess, but we suspect as the year progresses there will be deals aplenty to be had 2018 models are already discounted in many stores. Whatever happens while the dust settles, it looks like 2019 is going to be quite a year for Gibson lovers. Watch this space! Dave Burrluck is one of the world’s most experienced guitar journalists, who started writing back in the '80s for International Musician and Recording World, co-founded The Guitar Magazine and has been the Gear Reviews Editor of Guitarist magazine for the past two decades. Along the way, Dave has been the sole author of The PRS Guitar Book and The Player's Guide to Guitar Maintenance as well as contributing to numerous other books on the electric guitar. Dave is an active gigging and recording musician and still finds time to make, repair and mod guitars, not least for Guitarist’s The Mod Squad. Most Popular

Terjemahanfrasa GIBSON LES PAUL dari bahasa inggris ke bahasa indonesia dan contoh penggunaan "GIBSON LES PAUL" dalam kalimat dengan terjemahannya: is a 1953"Goldtop" Gibson Les Paul used by Paul McCartney as bahasa inggris. bahasa indonesia. Terjemahkan. Home Forums The Guitar Epiphone Guitars You are using an out of date browser. It may not display this or other websites should upgrade or use an alternative browser. Epi LP,s made in indonesia Thread starter tony2911 Start date Jul 1, 2020 Joined Sep 9, 2019 Messages 13 Reaction score 2 1 Hi Peeps, what do you folks think of the quality of Epi LP,s made in Indonesia Joined Jun 7, 2017 Messages 6 Reaction score 1 2 My only Epi/Indo experience would be with my 2018 Sheraton ll Pro. If the quality of that guitar is any example of what the Indonesian plant is producing, you should be very happy with the LP. Joined Jun 8, 2016 Messages 1,809 Reaction score 2,803 3 Unlike china, Indonesia makes some very nice Guitars. Well that's just a silly thing to say. If you played one from each country side by side, I'd wager a large amount that you wouldn't have the slightest idea which one was made where unless you knew beforehand. Epi has their own dedicated factory in China now and makes some fantastic guitars these days. CNC machines don't know what country they are in. Every factory puts out a lemon every now and then. Have you some of the pieces of shit that have come out of the Gibson Nashville plant the past few years? I have 3 Made in China Epis, 2 Made in Indonesia, and 2 made in Korea. I love all of them. Judge the guitar by the guitar, not by where it was born. Don't say dumb shit. BTW, welcome to Epi-Talk Joined Jan 16, 2015 Messages 7,554 Reaction score 9,281 Location Kraut-Territory 4 Unlike china, Indonesia makes some very nice Guitars. ...... Countries don't make guitars..... companies and their employees make guitars Epiphone has their own two factories in China since ~2003 Samick produces for Epiphone since ~1985 in Korea and for at least two decades in Indonesia. they make 'em as good as they are allowed to do for the $$ if they didn't write 'made in xxx' on the guitar, most of us could not tell where they were made.... It just goes to show that free people being paid a fair wage do a better job than those condemned to labor in a factory prison! you can have a look and a bit of reading about those Epi-factory prisons here.... and Welcome here €piTalk Joined Jul 12, 2016 Messages 3,364 Reaction score 3,902 Location Maryland, USA 5 It just goes to show that free people being paid a fair wage do a better job than those condemned to labor in a factory prison! Yes. Just imagine how productive Ted Bundy's murder victims would have been, had they lived to work and earn a fair wage. Seriously, WTF is up with your avatar? Joined Jan 16, 2015 Messages 7,554 Reaction score 9,281 Location Kraut-Territory 6 China is an aggressive communist country. With a track record of human rights violations as long as the great wall. Don't kid yourself. My point is simply this, NO guitar company goes to China to build their Top line guitars. Not true with other Asian countries. I believe Epiphone went to Japan to build the Elitist Series for a reason. I don't really care about your political view on China And remember it was the US located CEOs who decided to move the production to China The reason Epi moved production to Japan was back then Japan was what China is today - cheaper than US Ever heard of Eastman guitars ? High end made in China Joined Dec 7, 2015 Messages 3,352 Reaction score 4,038 Location Fort Collins, CO 8 Nice to meet the board bullies right off the bat! There are no "board bullies" here but there are those of us who are willing to step out and correct personal opinions stated as unsubstantiated fact as you did. So allow me to add yet another correction. The current Squire CV line are primarily former Vintage Modified models whose specs and appearance have been modified to replace the former MIC Squier CVs. The VM line has always been built in Indonesia and though good instruments in their own right have always been considered a notch down from the MIC CVs. What it all boils down to as Paruwi posted is cost. US mfgs like Fender who contract with Asian mfgs to build guitars and basses for them ask for an instrument they can buy for $$$ and sell for $$$$ to earn a profit at an established price point. For the CV line Fender's retail price limit appeared to be $400 for the majority of those models. When the cost of manufacture in China began to require pricing higher than $400 to retain the same profit margins for Fender and it's distributors and dealers production was moved Indonesia and VM models with slightly altered specs and finishes replaced most of the former MIC models. This is fact. Unlike Fender, Epiphone owns it's own Chinese manufacturing plant so ultimately they have complete control of cost and quality. And unlike Squiers the MIC Epiphones are also inspected here in the US before being shipped to dealers to assure the best QC they can provide. This is also fact. So......I believe what we're trying to say is that your post is based solely on your own opinions which are not based on substantiated facts. And if workers being paid a fair wage in a free society make far better instruments then why has Gibson struggled so much with their own QC issues on models costing many times more than their import cousins? You are certainly entitled to your own opinions but that doesn't make them true based on fact. Joined Dec 7, 2015 Messages 3,352 Reaction score 4,038 Location Fort Collins, CO 9 China is an aggressive communist country. With a track record of human rights violations as long as the great wall. Don't kid yourself. My point is simply this, NO guitar company goes to China to build their Top line guitars. Not true with other Asian countries. I believe Epiphone went to Japan to build the Elitist Series for a reason. The first statement is quite obviously true. The second may be true to an extent but it's not an absolute when you consider that many US companies have top of the line product built in China and I own some of it. In some cases where the traffic will bear because a much higher price can be charged a US company may elect to have an instrument built in Japan but then those models you mention have always been built in Japan. Some high end models from other US companies are also built in Korea and Indonesia by the very same companies who build their budget priced models. So in reality few if any absolutes actually exist. Joined Dec 7, 2015 Messages 3,352 Reaction score 4,038 Location Fort Collins, CO 10 I changed it just for you! I won't want any snowflakes to be offended. Ah ha, me thinks your politcal persuasion is now showing and we try hard to avoid that here. But if you'd like my opinion it seems to me that based on all the whining and wailing I hear from your side the true snowflakes are you and you're melting fast as this summer is showing. So please do depart. Joined May 2, 2019 Messages 82 Reaction score 105 Location CenTex 11 DavidSG, I think posts 7-11 pretty much earned you the responses you received. It's fairly obvious that you are one of those individuals who has a political bone to pick, especially considering the hyper political "snowflake" comment. If you thought that your politics would be welcomed into this guitar forum, you thought wrong. On that note and without further ado Joined May 4, 2020 Messages 123 Reaction score 194 14 The only reason there may be slight quality differences on guitar made in other parts of the world is... the managing bodies CEO's board of directors, upper management, etc, etc decided to only allow those guitars to be built with wood, hardware and electronics that fit their pricing paradigm. They choose from their management seats to limit the quality of guitars on purpose. As far as the OP's question about Indonesia-made guitars... they have been doing high quality wood working in Indonesia for centuries. Long before there was an Orville Gibson, Leo Fender, or Paul Reed Smith. Wood working is part of their culture. Google has plenty of info on the wood working and furniture making industry in Indonesia The geographical location of a guitar shop has zero to do with what quality of guitars are made in a factory within that country or location on the globe. The managing body that owns and operates the factory dictates the quality control and materials used inside the factory. So, if we send folks to Mars, then send them luthiers, and now we say "Martian guitars suck" only because they are maqde on Mars, what sense does that make? It has much more to do with the supply chain and decisions upper management makes that makes the overall end product. Globalization is a big 40 dollar word that means in part somebody knocked down the trade door to places like China and many other third world countries. There is something of value in these countries that appeals to businesses. Profits. The savings is, among other things, because the price of human resources in a third world country is way lower than trying to convince American workers to work for those levels of pay. I don't know exact labor statistics but I get the general idea that... a trained luthier in the USA might make I'm guessing $25-30 dollars an hours, plus demands benefits like health insurance, paid time off and vacations, etc, etc. Labor in America is very high compared to third world countries. So, with the trade door wide open with China, and BILLION people to employ, China becomes a target for saving a BUNCH of money on human resources labor costs. As does the price and cost of labor in many other countries in the world. Which may be why less guitars are Made in Japan now, because Japan's labor price has went up. I'm just gonna throw out a figure, but it is something like this... In the USA you have to pay a skilled craftsman $30 + benefits... I don't know the exact wage savings, but let's say in China or Indonesia people will work for $ an hour. Plus they will work 14 hour days, 7 days a week, never take vacations, and don't get a huge benefits package. In that scenario the company that owns the factory and sells the guitars back in the USA or world wide has way more hours of production per week, and is getting the products for pennies of the cost of labor. I think a more important question is how could a company like Gibson charge a ridiculous amount like $4, for a Les Paul Custom, and allow products to hit the sales floor with even ONE TIME having some kind of quality issue?? A guitar at that price should have been built by the hands of God and angels. It should be perfect... every one in that price range should be perfect. But instead they are simply a man made product and since man is not perfect, neither will the things he makes with his hands be perfect. I have this for an idea... let's take off the gloves and allow Indonesia and any other third world country that makes guitars the same exact quality of wood, hardware and electronics the USA Gibsons are allowed to use. I think the work ethic in these countries is much higher than what we typically see in the US worker. I think their love to HAVE a job drives their job satisfaction level. They live in very poor countries and don't have many of the things we take for granted in the US. As an observer, the typical US resident is full of "entertainment-itis" I call it. Whereas if you had tonsillitis or appendicitis a part of the flesh would need to be cut out to save the body. Americans tend to worry more about what sports team or what level they got in their newest X-Box game more than what type of work they placed over the counter at the factory. Entertainment is something Americans seem to hold more dear than any other aspect of life. What movie to entertain themselves with next, what new phone to buy so they can entertain themselves with a new phone, what big screen TV they can buy so they can watch their favorite entertaining sports team in vivid color. Not everyone, but this is the culture of people making guitars in America. Folks who come in late on Mondays and want to leave early on Fridays. I worked in the production/factory trades for a better part of my life and that is my observation of the typical American worker. Plus its my opinion from my perspective. I didn't work in the auto factories, but I grew up in Michigan and just about every family member I have worked in the auto factories. Places where you can go off in the corner and sleep and can't get fired because the Union UAW will protect you. One of my best friend's husbands would have somebody punch his time card for him at the factory, and be at home all day doing nothing, and getting paid for nothing. Meanwhile the cost of labor at the unionized auto plants has sky-rocketed as has the price of automobiles. Ten times the ridiculous price Gibson charges for a Les Paul Custom. As far as Asian-made guitars I have a bunch of them and I love them all. I have USA-made stuff, too, but I am more in awe of the Asian-made stuff because the price makes it a lot of fun to have several guitars rather than one guitar you're afraid to play because it might get scratched. I'm not really thrilled with the sound of the electronics from the Epiphone brand. But what I am thrilled with is the price I can find them on the used market, then I take that guitar and make it into something I am very proud to have changed. For example... I gave $150 for this Epiphone Les Paul Traditional Pro with an Epiphone hard LP case... It had lots of issues. No pickguard, no strap buttons, the Alnico Classic and Alnico Classic Plus pickups sounded like trebly, ice pick bee poop. One of the knobs was broken, and one of the push/pull pots didn't work. Plus, when engaging the push/pull for coil split on the pickup that did work, the pickups were so much ice picks there was little difference in tone, LOL. So, I drove down there as fast as I could before someone else saw the ad for this guitar for $150 on Craigslist... got a pickguard, installed Dunlop strap buttons, gutted all the electronics toggle, jack, caps, pots, wires as well as the ice pick pickups. Replaced the pups with Dimarzio John Petrucci Dreamcatcher bridge and Rainmaker neck. Wired the new pots 50's style... Now this is one helluva guitar, its dinged up plenty already so I don't fear playing it, and it has IMHO better tone than a $4,700 Les Paul Custom... I call this one "The Holy Trinity" as the pickguard I found at GreasyGroove has the Father, the Son, and the Holy Spirit in the form of a dove. Then there is the Epiphone Les Paul Custom I found at the pawn shop for $285. It had rusty crusty strings and was in need of a new home. Brought it home, discovered it needed a new output jack which is why nobody had bought it, soldered that in, now I have another project waiting to happen. Thinking maybe this time Dimarzio 36th Anniversary PAFs, we'll see. As if I don't have enough black/ebony guitars, just got this Epiphone Dot from the pawn shop. $200. The strings were corroded and looked like it had been sitting somewhere not played for years. It needed a new home... Thinking either a Seymour Duncan JB bridge/Jazz neck set, or maybe a Seymour Pearly Gates set have Alnico 2 magnets like the Gibson '57 Classics for a lot less money... '57s with 4-conductor wires are $200 EACH on the Gibson page... NOT... But this one, made in Indonesia just takes the cake... a 2011 Epiphone Nighthawk Custom Reissue... spotless and mint as they come, still had the little washer thing on the tone knob... $200... absolutely gorgeous made-in Indonesia quality... 5-way switch and tons of tones, wouldn't change a thing on this one... this one among others has made me an Epiphone convert out of a previously American-only snob... Last edited Jul 11, 2020 15 I'm am leaving this board. It seems piling on and trolling rule here. I have no desire to be part of a board where honest discussion is not tolerated, and "don't say stupid shit, is." Tell Karen we said she should stay home too! Why do people trolls feel the need to announce that they're leaving? At the risk of repeating myself Joined Dec 7, 2015 Messages 3,352 Reaction score 4,038 Location Fort Collins, CO 16 Well said Jam Handy. I'll just add one more thought relative to labor costs. We live in a capitalist free market nation and our basic cost of living is much higher here than it is in many Asian nations where some basic human needs such as health care are not provided by a consortium of for profit corporations selling insurances, drugs, hospitalization, surgeries, etc. which make our basic health care costs outrageous and increasing at a far greater rate than we can easily cope with. To that you can add many other basic human needs being provided completely or via heavily subsidized government intervention and control of availability and cost. Asian nations more like our own also have higher labor costs so much guitar manufacture has often been moved away from those nations to those with lower labor costs like Indonesia or India. But they still build what we pay them to build. Throw in currency valuations as yet another major variable and you have yet another element why US designed guitars are often built in Asia where they can be produced far cheaper and a strong dollar buys more quantity and quality than it can buy here. Like it or not our capitalist world can't compete with theirs in terms of building something like a guitar far cheaper than we can and we will never again "catch up" or compete with this unless we somehow design and build robot guitar builders who don't eat. sleep, or require health care and retirement/pension plan benefits, cars to drive, or houses to live in. This isn't meant to be a political lecture it's simply an "it is what it is" statement of facts. Last edited Jul 13, 2020 Joined Mar 14, 2020 Messages 2 Reaction score 2 17 Well said Jam Handy. I'll just add one more thought relative to labor costs. We live in a capitalist free market nation and our basic cost of living is much higher here than it is in many Asian nations where some basic human needs such as health care are not provided by a consortium of for profit corporations selling insurances, drugs, hospitalization, surgeries, etc. which make our basic health care costs outrageous and increasing at a far greater rate than we can easily cope with. To that you can add many other basic human needs being provided completely or via heavily subsidized government intervention and control of availability and cost. Asian nations more like our own also have higher labor costs so much guitar manufacture has often been moved away from those nations to those with lower labor costs like Indonesia or India. But they still build what we pay them to build. Throw in currency valuations as yet another major variable and you have yet another element why US designed guitars are often built in Asia where they can be produced far cheaper and a strong dollar buys more quantity and quality than it can buy here. Like it or not our capitalist world can't compete with theirs in terms of building something like a guitar far cheaper than we can and we will never again "catch up" or compete with this unless we somehow design and build robot guitar builders who don't eat. sleep, or require health care and retirement/pension plan benefits, cars to drive, or houses to live in. This isn't meant to be a political lecture it's simply an "it is what it is" statement of facts. Very much agree. Just the facts. Home Forums The Guitar Epiphone Guitars 4CRAA.
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